Silence is one of the great arts of conversation. Marcus Tullius Cicero
Several years ago I heard the Juilliard String Quartet present a lecture/recital. Their playing was wonderful but my biggest take-away from the event had nothing to do with music but rather the quality of their conversation. Through their example I learned how people can have a meaningful, respectful, and profitable conversation. While I was intrigued by what they had to say, I was particularly fascinated by how they conversed.
Before the quartet played, they shared their thoughts about each piece they were about to play. It was a relaxed and thoughtful conversational atmosphere in which each player had the opportunity to speak.
One at a time, a player would share his thoughts, and when he was finished there would be silence— sometimes lasting 10-15 seconds—before another member of the quartet would begin to share his thoughts. The group had such high respect for what each colleague was sharing that they allowed time for each statement to “sink in” before another thought was introduced into the conversation. Also, while one person shared, the others seemed to truly listen; they were not just using that time to craft what they would say when it was their turn.
For instance, one member might say, “The thing I enjoy most about the second movement of the Beethoven is that it borrows the theme from the first movement but develops it in a different way.” Then there would be silence. And then another player might offer, “That’s an interesting observation. At first glance, the themes seem to compete with each other, but near the end of the movement one understands that they are actually complementary.” Then another pause…and so on.
The key element in this respectful and profitable conversation was the moments of silence.
When was the last time you conversed with a group of people and the conversation contained times of silence? It is a rare occurrence. Normally, we try to anticipate the end of someone’s sentence and then compete with others for who gets to speak next. Sometimes we don’t even allow a person to finish his thought; the beginning of a new sentence overlaps the end of his.
This concept is so foreign to most people that the only way I’ve been able to incorporate it is to discuss it with a particular group and then practice. I did this with my family. I distributed this essay, we talked about it, and then staged a trial conversation. At first, it was difficult and awkward—it’s hard to change deeply-ingrained patterns—but eventually the conversation became well-paced, courteous, and profitable.
[reminder]What are your thoughts about this essay?[/reminder]
Click here to read more about how to have a thoughtful, respectful conversation.
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As usual, your newsletters are very thought provoking. Guess I’m not much of a musician as I never recall having a serious chat before a recital. Ours in Boulder were, where is the Beer Fest going to be after the band plays at the end of the football game.
As an aside, your magical use of a minimal group of musicians during church is outstanding. There is a fuller sound with 1/4 the musicians than other musical groups have with a full complement. Not surprised though. Thanks Don.. Bill.
Thanks, Bill.
Dear Don,
Wonderful post. A couple of observations.
I love being a musician because when you are working with great musicians and performing, most all of the communication is unspoken. It is thinking “together” but apart as well. This could be compared to a team of great doctors and nurses working together during a big surgery in the OR where they all work to anticipate the next move and be prepared to help with the right tool or assistance. Life and death decisions never spoken… Suzanne and I wrote a paper once and published and presented the paper in Chicago about this very thing. Our society today does not appreciate listening as it should because listening takes “real time”. Most people just want their “real time” for themselves.
Garry; great illustrations about musicians and the OR room. Thanks for our friendship.